When I was illustrating and had to paint the same element in repetition I would sometimes see it in my sleep. This hasn't happened yet with this grape series but it could by the time it is finished. I had been counting how many hours I had worked but lost track.  

     The leaf was particularly difficult since it is February and I don't have a grape leaf in front of me. I do have my color notes and photo reference from previous grape leaves but I would much rather have the real thing. Usually I do have the real leaf  and I can tell you this makes it much more of a struggle. There is a lot of indecision. I paint it one way then second guess myself and change it, then change it again. It helps when I come back the next day and get a fresh look and notice right away what needs to be corrected. After lots of adjusting I think the first grape painting is finished!

     I want to share something here that I know many beginning students have difficulty with. I think it could be helpful if I explain it carefully in words. So I will try!  In classes I've noticed there is often the same question: how much water and paint to use in the paint mix. Oil and acrylics are thicker, more viscous. When you put your brush to the surface the paint just sits there. They do not run all over the surface like watercolor. Watercolor is a tricky thing. After all you are trying to control water! Not easy.

     First you need the appropriate mix of water and paint. The correct value. So how do you know what that should be?  It should be lighter than the value of what you ultimately want in the painting because you will be adding other layers on top that will darken it. But you don't want the solution so light that it will take too many layers, too much time and possibly break down the paper, to get to that value. Since it is difficult to remove watercolor it is better to build up the layers slowly. 

     Make a mix of paint and water and check on a scrap of paper to see if the solution is close to what you want. If you think it should be darker add a little paint, if lighter add a little water. Usually students use too much water and not enough  paint. They tend to be timid. Don't be afraid! Keep testing your mix until it is what you want. Then dip the brush in your mix of paint and swipe it against the edge of a well in your palette to remove excess. Enough water has to be in the brush so that it makes continuous contact with the surface of the paper but not so much that it leaves a big puddle at the end of your stroke. And you don't want so much pigment in the mix that your brush stroke leaves a hard edge. Remember it should not be so dark that you will have to remove paint. That can be messy. It is easier to add than take away. This is all a delicate balance and takes a lot of practice. Trial and error. 

     That said, have fun with it and remember don't be afraid! After all it is only paint, water and paper that we are manipulating on the surface and many "mistakes" can be corrected!

        Okay, so it seems that I should be writing a blog. I keep hearing that all these social media things tie together. I have been resisting since it is one more thing to do, one more obligation to keep up with…Linkedin, Fackbook, YouTube, website, Twitter, too much! That and I am not much of a talker, but here goes, my first blog!

       Lately I have not been sure where to turn. Just finished 2 DVD's but want to wait a bit before filming another. I want to think about the subject and get feedback from those who have seen the first 2. And make sure I am formatting it correctly to perhaps put somewhere else like Skillshare.  I've considered some ideas: fixing mistakes, choosing colors, or another follow along lesson, or maybe painting white flowers. Not quite sure yet. So instead I paint...

        This week I began some sketches of grapes for Caspari. Three bunches; one green, one red, one purple. It took me two days to get completed sketches because they fit together like puzzle pieces. The three bunches had to work together as one design as well as separately.  I think this could be for wine products. I also have decided to do them almost  life-size so that the finished painting could be used in an exhibit or offered for sale. So each has to be beautiful on its own. Unfortunately they will take a long time to paint. Financially really kind of crazy to be doing. Maybe after painting one I will decide to paint the next two smaller. I also picked up a painting of an apple that was started in a class at the New York Horticultural Society a while back. It won't take too much longer to finish and I decided I like the way the leaves are looking. Caspari is working on the Fall line so apples could be fitting.

         I almost had an illustration job this week for packaging of a vitamin line out of Canada to be sold at Walmart and Wholefoods. Too bad, they went with someone less realistic in style. Easy come, easy go. But it is nice to know that someone is interested in work done by hand rather than computer. I was also contacted by an expert pumpkin carver(who wrote a book on pumpkins), about doing a class together next Fall, as well as someone near Charleston planning next seasons workshops. Seems early to be thinking so far ahead especially when we are in the thick of winter. It has been so crazy with snow on top of snow on top of snow and more expected tonight. You kind of feel trapped in the house and just want to be lying on a beach somewhere with the sun on your face. Have not even gotten to the studio much to paint lately but instead brought my paints and paper home and have been working at the kitchen table like the old days. Our long sloping driveway is packed down snow with sleet and rain on top so we have our own version of the Olympic luge. It's treacherous. At least the days are starting to get a bit longer so Spring can't be too far off!